African audition scandal : Thembisa the hub of Tlof Tlof as more videos emerge

Thembisa is the hub of Tlof Tlof as more videos emerge… This whole issue started with Lerato Molwelang’s s£x tape, but a deeper dive shows that more videos and more young women are offering tlof tlof for money.

Lerato Molwelang might have been the focus after she went viral with her tlof tlof video, but social media has gone forward and exposed the man behind Thembisa S£xtapes and has named him The Legend of Thembisa.

According to social media, the man has chewed more Thembisa women than he chews food! Here is what social media is saying about the man!

The Thembisa “African Casting” Scandal Gets Worse with More Girls Exposed… The Legend Of Thembisa

MORE NAMES PEOPLE ARE TALKING ABOUT:

• Puleng Mokoena
• Nandi Khumalo
• Zinzi Dlamini
• Lerato Molefe
• Ayanda Sibeko
• Naledi Tshabalala
• Busi Ndlovu
• Samke Mtwana
• Siphesihle Cele
• Tebogo Mokoena
• Lindiwe Dube

It’s rumoured that this thing started 3 years ago with a girl called Faroza Zwane. She went there first, got “chewed”, came back and bought a new phone like nothing happened. Instead of warning others, she plugged the next girl. They were going one by one, quietly, thinking it was a secret.

But what secret?
The videos are online. Clear faces showing. Clear bodies on display! ? Thembisa is not a township anymore, it’s a content hub. This country needs prayer ??

Social Media as Judge and Jury

The Thembisa videos highlight a growing trend in South Africa’s digital culture, where social media increasingly serves as both whistleblower and courtroom. For many users, these platforms have become the only perceived space to raise concerns when formal systems feel inaccessible, slow, or unresponsive.

At the same time, the young women at the centre of the videos are facing intense backlash online. While some argue the situations could have been avoided, others believe the encounters were viewed as an easy or transactional way to make money. As has become typical, social media remains deeply divided—split between condemnation and empathy, between moral judgment and calls for accountability—leaving no clear consensus on where blame truly lies.

The “African Casting” narrative out of Thembisa, much like the Lerato Molwelang story before it, sits at the uneasy intersection of truth, rumour, pain, and public curiosity. Until claims are investigated through proper legal channels, these stories should be approached with caution, empathy, and responsibility.

What they undeniably reveal, however, is a nation still grappling with how to confront power, protect the vulnerable, and balance justice with fairness in the digital age.